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CreepTD - Online Multiplayer Tower Defense サイトURL http //www.creeptd.com/ 概要 オンライン多人数(2-4人)対戦／協力プレイやソロプレイができる通路侵入型TD。 対戦の場合、資金(credits)を使って対戦相手のフィールドに敵を送り込むことができる。 基本事項 ゲームモード ショートカットキー 砲台Gun Turret (Basic) EMP Emitter (Slow) Cannon Tower (Splash) Missile Silo (Rocket) Tesla Tower (Speed) Ion Cannon (Ultimate) 砲台のターゲット設定 敵 攻略 コメント 基本事項 1ラウンド(15秒)毎に収入が入る。 砲台の売却額は総額の75%。 マップの大きさは 16x16, 16x32, 32x16, 32x32 ゲームモード All vs. All (2-4 Players) 敵はすべての対戦相手に送られる。出口まで到達した敵は同じプレイヤーの入口に再度出現する。最後まで生き残ったプレイヤーが勝者。 Send to random (3-4 Players) 敵がランダムに選ばれた対戦相手に送られる点以外は、"All vs. All"とほぼ同じ。 2vs2 (4 Players) Player1・2(上)とPlayer3・4(下)で対戦。出口まで到達した敵はチームメイトの入口に出現する。最後まで生き残ったチームの2人が勝者。 2vs2 Coop (4 Players) "2vs2"と似ているが、チームメイトとフィールドを共有。どちらにでも砲台を立てることができる。収入は2人で共有(1.1から) Survivor (1-4 Players) 敵を送ることはできない。一番長く生き残ると高ポイントが得られる。 Survivor Coop (2-4 Players) "Survivor"と似ているが、すべてのプレイヤーでフィールドを共有する。全員で協力して、どこまで到達できるかを目指す。 Sandbox (1-4 Players) 練習モード。 ショートカットキー キー 機能 U アップグレード I 売却 GHJBNM 各砲台の設置 キーを押しながらマウスドラッグで、まとめて操作できる。 砲台 Gun Turret (Basic) 基本的な砲台。(Default strategy Closest) Lv Damage Range Cooldown コスト D/S D/S/C 1 25 35 0.65s 50$ 38 0.77 2 50 45 0.65s 100$ 77 0.51 3 75 55 0.65s 150$ 115 0.38 4 100 65 0.65s 200$ 154 0.31 EMP Emitter (Slow) 敵の移動速度を低下させる砲台。(Default strategy Fastest) Level4まで強化すると着弾周囲の敵も巻き込む効果が追加される。 Lv Damage Range Cooldown コスト Slow rate D/S D/S/C 1 25 35 0.75s 100$ 30% (0.8s) 33 0.33 2 50 45 0.8s 200$ 35% (0.8s) 63 0.21 3 75 50 0.85s 400$ 45% (1s) 88 0.13 4 100 55 0.9s 3000$ 50% (1s) 111 0.03 Cannon Tower (Splash) 敵を中心とした範囲攻撃をする砲台。(Default strategy Closest) Lv Damage Range Cooldown コスト Splash radius D/S D/S/C 1 60 35 1s 150$ 25 (19% Dmg.) 60 0.4 2 120 40 0.8s 300$ 30 (30% Dmg.) 150 0.33 3 180 45 0.6s 600$ 35 (40% Dmg.) 300 0.29 4 240 50 0.4s 1200$ 40 (50% Dmg.) 600 0.27 Missile Silo (Rocket) ホーミングミサイルを発射する砲台。(Default strategy Strongest) Lv Damage Range Cooldown コスト Splash radius D/S D/S/C 1 1000 50 3.5s 1000$ 30 (19% Dmg.) 286 0.29 2 3500 60 3.5s 3000$ 30 (30% Dmg.) 1000 0.25 3 7500 70 3s 7500$ 30 (40% Dmg.) 2500 0.22 4 15000 80 3s 15000$ 30 (50% Dmg.) 5000 0.19 Tesla Tower (Speed) 攻撃頻度の高い砲台。(Default strategy Strongest) Lv Damage Range Cooldown コスト D/S D/S/C 1 250 50 0.45s 1000$ 556 0.56 2 700 55 0.35s 3000$ 2000 0.50 3 1350 60 0.25s 7500$ 5400 0.47 4 1800 65 0.15s 15000$ 12000 0.45 Ion Cannon (Ultimate) イオンビームを発射する砲台。(Default strategy Strongest) Lv Damage Range Cooldown コスト D/S D/S/C 1 27500 100 5s 20000$ 5500 0.28 2 40000 150 2.5s 50000$ 16000 0.23 砲台のターゲット設定 設定 攻撃する敵 ショートカットキー Closest 砲台に最も近い K Farthest MAPの出口に近い 0 (ゼロ) Weakest 最大HPが少ない O (オー) Strongest 最大HPが多い P Fastest 移動速度が速い L 敵 HP 移動速度 コスト 報奨 収入 Specials Mercury 300 70 50$ 5$ +5$ Demeter 6000 60 1000$ 90$ +90$ 自然HP回復(3) Vulture 120000 70 15000$ 1200$ +1200$ 自然HP回復(50) Zeus 1400000 65 100000$ 7000$ +7000$ 自然HP回復(500) Mako 700 65 100$ 10$ +10$ Ray 14000 65 2000$ 180$ +180$ EMP(Slow)無効 Shark 250000 75 25000$ 2000$ +2000$ EMP(Slow)無効 Phoenix 2500000 80 200000$ 14000$ +14000$ EMP(Slow)無効 Fast Nova 1400 80 250$ 25$ +25$ Speedy Raider 30000 90 4000$ 360$ +360$ Fast Racing Mamba 500000 100 40000$ 3200$ +3200$ Fast Express Raptor 6000000 140 400000$ 28000$ +28000$ Very fast Large Manta 3500 50 500$ 50$ +50$ Big Toucan 80000 60 8000$ 720$ +720$ Tough Huge Titan 1200000 65 60000$ 4800$ +4800$ Tough Mothership 15000000 70 1250000$ 105000$ +87500$ Launches Creeps 攻略 敵を送るモードでは、敵を送ることが収入増になるため最小限の塔で敵を多く出すようにする。 次の収入の直前に敵を送り、収入直後にも敵を出せば、2wave分まとめで出せる。 ただし、残り１秒ぐらいだとラグで次の収入が減ることがある。 TeslaやIonは攻撃指定を"Farthest strategy"(一番先頭の敵を狙う)にすれば撃ち漏らしを落とせる。 コメント 最近早いね -- 名無しさん (2012-08-23 17 55 05) オンライン募集スレ立てるべきかな・・・多分そこまで伸びないから大丈夫か -- 名無しさん (2012-08-26 17 22 16) 更新きた -- 名無しさん (2012-09-23 18 08 01) 試合途中で落ちてから入れなくなった… -- 名無しさん (2012-09-24 19 02 20) １．１は収入が謎 -- 名無しさん (2012-09-25 23 34 39) 緑の敵はイマイチなので、あまり使わなくていい。次の白が強いから赤でincomeを稼いで白を早く出す。 -- 名無しさん (2012-10-01 19 22 59) 2v2coopだと緑と青が奇数で増えるincomeが1損するので白連打するほうがいい -- 名無しさん (2012-10-02 10 20 12) フェニックス連打やエクスプレス連打で終わる、終盤はこれやったほうが勝つ -- 名無しさん (2012-10-09 01 46 51) 連打というかフェニックスは1秒間隔で出すのが良い、ミサイルでまとめて食われるからね。金有り余ってるなら白→青→・・・っとユックリ交互に出すのが強い -- 名無しさん (2012-10-10 01 26 04) 3つ↑ アップデートでincomeが共有ではなくなったので気にしなくていいです。 -- 名無しさん (2012-11-06 23 11 38) 名前 コメント
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ここを編集 MISSION OBJECTIVE ＞ Capture the UNN studios CREDIT REWARD ＞ 120,000 +実績 10_Media%20Blitz.jpgMedia Blitz [15] Complete all mission objectives in the "Media Blitz" mission. ミッション 【Media Blitz】 中のクリア目標を全て達成せよ。 11_Seek%20 %20Destroy.jpgSeek Destroy [10] Destroy an enemy Barracks, Factory, and Starport in the "Media Blitz" mission during the sneak attack on Normal difficulty. ミッション 【Media Blitz】 難易度 "Normal" において、隠密時間内に敵のバラックス・ファクトリ・スターポートを１つずつ破壊せよ。 12_Blitzkrieg.jpgBlitzkrieg [10] Complete the "Media Blitz" mission on Hard difficulty in less than 20 minutes. ミッション 【Media Blitz】 難易度 "Hard" を、20分以内に達成せよ。 ミッション・ブリーフィング ▽惑星（Korhal） Arcturus Mengsks homeworld of Korhal was once a prosperous colony until it was obliterated by Confederate nukes. Vast fortunes have been lavished on the planet s reconstruction since Emperor Mengsk took the throne four years ago. アークトゥルス・メンスクの生まれ故郷でもあるコーハルは、同盟の核攻撃により完全に破壊されるまではとても繁栄した植民地でした。メンスク帝が4年前に王位に就いて以来ずっと、惑星の再建のために巨額な資金が注ぎ込まれ続けています。 ▽打ち合わせ Horner We have the Odin, now we can use it to spearhead our take-over of the UNN studios on Korhal. Once the Odin has taken out their defenses, we ll broadcast our evidence against Mengsk. Figure they ll throw everything they have at us. They ll be talking about this one for years. 我々がオーディンを手に入れた今、これに陣頭指揮を取らせ、コーハルのUNNスタジオ占拠に向かわせる事が出来ます。オーディンが防御陣営を突破すれば、メンスクに対抗できる証拠を放送出来るでしょう。そうなれば皆が我々に抱いていた想いを正すこととなり、長年に渡って論争が起きることになるでしょう。 ミッション開始シーン Horner Our raid on the Valhalla facility hasn t even been reported yet. The Dominion have no idea we stole the Odin. 我々のヴァルハラへの奇襲については、まだ報告をされていません。ドミニオンは我々がオーディンを奪ったことを知りません。 Horner I had to call in every favor I had, but I got the Odin on the surface, with Tychus inside. 全神経を集中して計画せねばなりませんでした。オーディンがあるといっても、乗るのがタイカスですからね。 Raynor Matt, you re a miracle worker. It must have been a complicated operation. マット、お前は凄い奴だよ。とても複雑な作業だったろうな。 Horner You don t even want to know sir. I m not going to let anything keep up from exposing Mengsk. あなたは知りたくもないでしょうね、サー。メンスクのスキャンダルを、そのままにしておくつもりはないですよ。 Raynor So they re still expecting to film it at the UNN studio later today? それでUNNスタジオの奴らは、まだ、今日、オーディンを撮影するつもりでいるのか？ Horner That s right -- and we won t disappoint them. Seeing as he s the only one with experience, Tychus will pilot the Odin and hit the studio guards with a surprise attack. They ll be confused for several minutes - and won t even know who to attack at first. その通りです -- まあ、彼らに失望はさせませんよ。ただ一人の経験者なので、タイカスをオーディンのパイロットにして、スタジオの防衛隊に奇襲をしかけます。数分は混乱状態で、誰に向かって発砲すればいいかも分からないでしょう。 Raynor And during the confusion, we ll establish a forward base using this command center we acquired earlier. その混乱に乗じて、俺たちがこのコマンドセンターを使って、前線基地を設置する。 Raynor Pretty devious, Matt. I like it. かなり遠回りだな、マット。気に入った。 Horner If Tychus can inflict enough damage during the sneak attack, making the broadcast should be relatively easy. タイカスが潜入攻撃で、十分なダメージを負わせることが出来れば、放送するのも比較的楽になります。 Horner Keep in mind -- we ll only have a few minutes before the Dominion realize that Tychus is in the Odin. 忘れないでください。タイカスがオーディンに乗っているとドミニオンが気づくまで、数分しかないでしょう。 Horner Once they figure it out they ll use everything they ve got to stop us. 一度、気づかれたら、奴らは全力で我々を止めるでしょう。 Raynor Whatever happens, we ll be givin Mengsk one hell of a broadcast. 何があっても、メンスクにどえらい放送を届けてやるぜ。 Raynor Let s do this. はじめようか。 ミッション中 Horner I m in the Dominion security network. Bringing up their locations now. ドミニオンのセキュリティネットワークに侵入しています。今から目標の座標を送ります。 Raynor Alright, Tychus - do your thing. わかった、タイカス - お前の出番だ。 Tychus Thought you d never ask. やっとこさ、お呼びが掛かったぜ。 Tutorial-Odin Unique heavy artillery walker -- The Odin is a special Hero Unit. It has the ability to call down a devastating Barrage. 特異な重砲撃ウォーカー -- オーディンは特殊なヒーローユニットです。強烈な砲撃のアビリティを要請する事ができます。 Tutorial-Barrage Use the Odin s Barrage ability on groups of enemies to quickly destroy them. 敵の群れを素早く撃破するには、オーディンの「斉射」アビリティを使います。 ＜オーディン攻撃開始＞ Marine Odin has gone rogue. Repeat -- Odin has gone rogue! オーディンが強奪されている！繰り返す -- オーディンが強奪されている！ Marine Bring it down! 喰らいやがれや！ Warfield Attention rogue pilot. This is General Warfield of Dominion command. You are ordered to stand down or face immediate termination. 強奪したパイロット聞こえるか。こちらはドミニオン司令のウォーフィールド将軍だ。お前は大人しく武装解除するか、即事に姿を表せ。 （別案）強奪したパイロット聞こえるか。こちらはドミニオン司令のウォーフィールド将軍だ。大人しく武装解除せよ、さもなくば直ちに破壊する。 ＜オーディンが破壊された時＞ Tychus This thing is outta juice! I gotta eject! こいつはもうもたねえ。脱出するぜ！ ＜先制攻撃残り１分３０秒＞ Horner An alert s gone out! It won t be long before they shut me out of their system. アラートが効かなくなりました！そろそろシステムからシャットアウトされそうです。 Tychus Don t rush me, kid. Can t a man take some pleasure in his work? そうせかすな、坊や。ちょいとばかり仕事を楽しんだっていいだろう？ ＜先制攻撃残り３０秒＞ Horner We re almost out of time! もうほとんど時間がありません！ Tychus So are these guys! Heh -- don t sweat it. そりゃあいつらにとってもさ！へっ、心配しなさんな。 ＜先制攻撃終了＞ Horner The Dominion s switched to a secure channel. I can t track their positions anymore. ドミニオンがセキュリティチャンネルを切り替えました。いずれの目標地点も追跡不可能です。 Horner But I have gained access to the UNN network. We ll need troops to stay close to one of the broadcast towers long enough to get our message out. ですがUNNネットワークへのアクセス権は手に入りました。我々のメッセージを送出するには、部隊を放送塔の近くに一定時間駐留させておかなければなりません。 Horner For our broadcast to reach all of Dominion space we ll need to control each broadcast tower long enough to upload the data. Any unit type can maintain control. 我々の放送をドミニオンの全宙域に届けるには、データをアップロードするのに十分な時間だけ各放送塔を占拠しておく必要があります。どのタイプのユニットでも占拠を維持できます。 Raynor You can bet Mengsk ll have something to say about that. Let s get moving. メンスクが文句を言うこと間違いなしだな。行くぞ。 Horner Our base is up and running. I m transferring control of it to you now, sir. 我々の基地も稼働済みです。いま指揮権をそちらに転送します、サー。 Tutorial-Train Troops Train troops at your perimeter base to reinforce the attack. 外の基地で軍事ユニットを生産し、戦力を強化しましょう。 Tutorial-Engineering Bay You have unlocked the third tier of Engineering Bay upgrades. These upgrades will only be visible once you researach the first and second tiers of Engineering Bay upgrades. エンジニリアリング・ベイで三段階目のアップグレードを行えるようになりました。これらのアップグレードは一段階目と二段階目の研究を終えた後でのみ表示されます。 Tutorial-Armory Upgrades You have unlocked the third tier of Armory upgrades. These upgrades will only be visible once you research the first and second tiers of Armory upgrades. アーマリーで三段階目のアップグレードを行えるようになりました。これらのアップグレードは一段階目と二段階目の研究を終えた後でのみ表示されます。 ＜スワン登場＞ Swann Hardware inbound. These Thors are smaller than the Odin but they handle better -- and they still hit hard. Enjoy! 機器の到着だ。トールはオーディンより小さいが使い勝手はいいぞ -- それから攻撃力も抜群だ。愉しんでいけ！ Tychus That big dog is all mine! デッケェのは全部俺んだ！ Tutorial-Thor Heavy artilery walker -- The Thor is a specially modified Odin designed by Rory Swann. It is similar to the Odin, but smaller. The Thor can be build from the Factory. 重砲撃ウォーカー―トールはローリー・スワンによって設計されたオーディンの特別改良版です。オーディンによく似ていますが若干小型です。トールはファクトリーで生産できます。 Arcturus Behold the Dominion s newest weapon of war - the Odin! ドミニオンの最新兵器、オーディンをとくと見よ！ ＜１つ目の放送局：到達＞ Warfield Security breach at one of the towers. Strike team Alpha, engage! Stop them! 一つ目のタワーのセキュリティが突破された。襲撃チーム・アルファ、出動せよ！奴等を止めろ！ ＜１つ目の放送局：送信完了＞ Raynor First transmission uploaded...Even Mengsk won t be able to wriggle out of this one. 最初の通信アップロード完了…と。メンスクでさえもこいつは切り抜けられまい。 ＜アークトゥルスから通信が入る＞ Arcturus There s only one man arrogant enough to think he can get away with this - Raynor! こんな大胆なことをやってただで済むと思ってる奴は一人しかいない―レイナー！ Raynor Hah. Just for once Arcturus, this really is all about you. I hope you enjoy our show. はっ。今回だけはなアークトゥルス、本当にお前ただ一人がターゲットだ。俺達のショーをお楽しみあれ！ Arcturus I knew it. Warfield! Get your men down there. I want Raynor s head, you understand? Him and all his terrorist friends! わかっとるわ。ウォーフィールド！お前の部下をこっちに送れ。私が欲しいのはレイナーの首だ、わかるな？奴と仲間のテロリスト全部のだ！ ＜２つ目の放送局：到達＞ Warfield They re attacking a tower. Strike team Bravo, take them out! 奴等は塔を攻撃している。襲撃チームブラボー、排除せよ！ ＜２つ目の放送局：送信完了＞ Raynor We re almost done transmitting Mengsk s dirty little secret to the Dominion. これでメンスク先生のいけない秘密をほとんどドミニオンに送信し終わったな。 Arcturus This mighty steel giant stands as a testimony to the skill and determination of our Dominion engineers and scientists! この強大なる鋼鉄の巨人は、我等ドミニオンの技術者たち科学者たちの技術力と決意の結晶である！ Arcturus Human tenacity and ingenuity have come together to forge the final answer to the zerg threat! 人類の頑強さと創意が、ザーグの脅威に対する究極の答えを作り上げたのだ！ ＜３つ目の放送局：到達＞ Warfield Strike team Charlie, get to that tower! Bring down those rebels! 襲撃チーム・チャーリー、あのタワーへ向かえ！反乱軍を仕留めろ！ ＜３つ目の放送局：送信完了＞ Raynor That s the last one! Let s see what the poeple will think of their beloved emperor now! これで最後だ！人々が親愛なる陛下のことをどう考えるか見てみようじゃないか。 ＜クリア：市民による暴動が起きる＞ Horner All transmissions have been sent, Sir. Every world in the Dominion just got a UNN special bulletin about Mengsk. 全通信、送信完了です、サー。ドミニオン全土がメンスクに関する「UNNスペシャル速報」を受け取ったところですよ。 ミッション中（おまけ） ＜市民を殺すと＞ Civillian What s wrong with that thing! Its gona crazy! 何が起こってるんだ！狂ってる！ ＜南東角の建物[Korhal Civilians]を破壊すると＞ SECRET FOUND Secret Mission Unlocked シークレットミッションがアンロックされました ミッション達成後 シネマ【HEARTS AND MINDS】挿入 HYPERION CANTINA 18 03 - Shipboard Time ハイペリオン酒場 18 03 - 船内時間 ▼Armory ▽Swann Swann Ha! Y see - told ya I could build something better than that piece o crap Odin. ハッ！見たか、俺ならあのポンコツオーディンよりすげえもんを作れるって言っただろ！ Raynor I like that. That s the spirit, brother! Show em who s boss! 気に入ったよ。こうでなくちゃな、兄弟。どっちが上か見せつけてやろうぜ！ Swann Got some work to do on the chassis still, but I got to thinkin about upgrades and variants, y know? They ain t gonna be cheap, cowboy. Big honkin thing like that never is. But they ll be worth it, you ll see. まだシャーシにいじる余地が残ってるんだけどよ、それより俺はアップグレードとかマイナーチェンジのことを考えてたんだ。わかるだろ？ああいうのは安くねえんだよ、カウボーイ。こういったばかでけえのはみんなそうだ。だがそれだけの価値はあるってもんだ、な。 Raynor That s what I like to hear! I ll take a look and see what s affordable. そう言うのを待ってたぜ！何か利用できそうなモンを探してきてやるよ。 ▼Bridge ▽Horner（シークレットミッションアンロック時） Raynor Those classified documents we found on Korhal weren t anything special. Just referred to some old bio-weapons lab orbiting Castanar. コーハルで見つけた機密書類だが、大して特別なモンじゃないな。キャスタナーの軌道上にある古い生物兵器ラボに関して書いてあるだけだ。 Horner I think this one might be different. The files suggest they were planning to terminate everyone who ever worked there. そうでもなさそうですよ。このファイルによると、ここで働いていた事のある全職員を‘削除’する予定だと書かれています。 Raynor I assume that doesn t mean firing them... But why would Mengsk wanna kill a whole research staff? ‘解雇’って意味ではなさそうだな...だが何でまたメンスクは研究員全員を消そうとしているんだ？ Horner I don t know, but it seems like something we should check out. 分かりませんが、調べてみるべき事柄のように思われます。 Raynor It does, indeed. そうだな、確かに。 ▽Horner（シークレットミッションを見つけていない場合） Raynor So, Matt, you planning another strike against Mengsk? それで、マット、メンスクへの次の攻撃は考えてるのか？ Horner Not just yet, sir. I figured we need to focus on the zerg first. Overthrowing Mengsk won t mean anything if we can t beat them. 今すぐには予定していません、サー。我々はまずザーグに戦力を集中すべきだと考えます。メンスク政権を転覆させたところで、ザーグに勝てないのでは何の意味もありません。 Raynor True. Freedom ain t worth squat if Kerrigan kills us all, that s for sure. Guess Mengsk can wait. その通りだ。ケリガンが俺達を皆殺しにするのなら自由に骨を折る価値なんかない、それは確かだ。メンスクだって待ってくれるさ。 ▽Tychus Raynor So are ya thinking about giving up this life of luxury and becoming a professional broadcaster? それで、ここでの快適な暮らしが終わったら、プロのアナウンサーにでもなるつもりなのか？ Tychus Aw, regular folk just ain t ready for the raw sex appeal I d unleash into their grey little lives. I reckon my niche is right here with you, ol buddy. Right to the end. いや、みみっちい灰色の人生送ってる一般人にとっちゃ、俺がやった生のセックスアピールは刺激的過ぎたようだな。どうやら俺の適性はお前とつるんでた方が生かせそうだぜ、相棒。終いまで付き合ってやるよ。 Raynor I m glad you re part of all this, Tychus. You did real good today. お前がずっとこっち側についていてくれて嬉しいぜ、タイカス。今日は本当によくやってくれた。 ▼Cantina ▽News Lockwell Kate Lockwell here, live from Korhal. There s rioting in the streets. Citizens are setting fire to government buildings to express their shock and anger at the startling revelations from earlier today! ケイト・ロックウェルです、コーハルから生放送でお届けします。街頭では暴動が起きています。今朝早くから暴露された衝撃の事実を耳にした市民はショックと怒りを表しに、政府の建物に火を放っています！ Lockwell Donny, what s the situation where you are? ドニー、そちらの状況はどうですか？ Vermillion I had a brother on Tarsonis. I had a brother there! Um. I... um... タルソニスには兄弟がいたんだ。私の兄弟がいたんだ！うっ、私は…ううっ… Lockwell Right. Thanks for that Donny. Okay, Emperor Mengsk broadcast a statement earlier today. Unfortunately, UNN s satellites were on lockdown at the time. Let s replay a bit of that わ、分かりました。ありがとう、ドニー。はい、メンスク帝は今朝早くに声明を発表しました。ただ残念ながら、この時間はUNNの衛星は使用を禁止されていました。ですが、その一部を記録映像でご覧下さい。 ＜[Arcturus]の記録再生＞ Arcturus This evidence has been falsified! The enemies of the Dominion will go to any length to soil my good reputation! These ruthless, slanderous attacks cannot-- この証拠は捏造だ！ドミニオンの敵どもは私の評判を落とすためなら何でもやるんだ！こんな卑劣な中傷は決して― ＜[Arcturus]の記録終了＞ Lockwell At that point the Emperor was shouted down. He s since retreated to his palace and refuses to speak to anyone. In this reporter s opinion, Emperor Mengsk has been revealed as a -- ここで陛下は怒号を浴びせられて言葉を切りました。以後陛下は王宮にこもり一切の発言を拒否しています。わたくしリポーターの意見としては、メンスク陛下はついに化けの― ＜放送が途切れる＞ ▽Media Mogul WOF-Trophies参照のこと。 ∵Tosh Tosh UNN may never be on your side, but after today they smell blood on Mengsk. And that s good for all of us. UNNはあんたの味方にはならないだろうが、今日からはメンスクに食いつくようになるだろうな。そいつは俺達全員にしちゃ満足だぜ。 ▼Laboratory ∵Hanson Hanson We sure gave Mengsk a kick in the pants! Excuse me, I don t usually have outbursts like that. 遂にメンスクのパンツの中をぶっ潰してやれたわね！ごめんなさい、普段はこんなに興奮する事はないのだけれど。 ここを編集
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Fixes Changes (wikiを引用) ■Will limit the amount of Experience Orbs dropped by a player on death. ■プレイヤーが倒れた際にドロップするExperience Orbの量が制限される ■The ability of Endermen to carry blocks will be reduced in some way. ■エンダーマンのブロックを運ぶ能力が、何らかの方法で低下する ■New Monster Spawner texture. ■新しいモンスタースポーナーのテクスチャ ■Ghasts shoot magma bombs. ■ガストは溶岩爆弾を撃つ ■On death, a proper score is given based on how many experience orbs the player has collected. ■倒れた時の正確なスコアは、どれくらいExprience Orbを集めたかに基づいて、与えられる ■When flowing lava hits a water source directly from above, it creates Stone where previously the lava would flow through the water. ■流れる溶岩が水源に真上から直接当たったとき、溶岩は水を通過せずストーン(ブロック)が作成される ■You can toggle between three states when pressing F5, having the addition of 3rd person view from the front. ■プレイヤーの顔が見える視点が追加され、F5で3つの視点を切り替えることが出来る ■Ender Pearls will have a unique ability. When thrown, the player will teleport to the Ender Pearl s impact location, but take 2 and 1/2 points of fall damage. This will not work in Creative. ■エンダーパールが独自の機能を有するようになる。投げたとき、プレイヤーはエンダーパールの衝突した位置にテレポートするが、2と2分の1ポイントの落下ダメージを受ける。これはクリエイティブモードでは動作しない ■Golden Apples now glow blue in inventory. ■黄金のリンゴはインベントリ内で青く輝く ■Fences no longer block you from moving onto their space. You can now stand next to them, like you can with glass panes and iron bars. ■フェンスを設置した空間への移動がブロックされなくなった(1ブロック判定ではなくなった)。これにより窓ガラスや鉄格子と同じように横(の隙間)に立つことができるようになった ■They will also connect to solid blocks. ■フェンスは固体ブロックに繋がるようになる (横方向にもブロックと接続されるようになる) ■There is a slight delay between jumps when holding down the jump button, so that the player no longer bounces between ceiling and floor in two-block-high spaces. ■ジャンプボタンを押したままの(連続)ジャンプの間にある、わずかな遅れは、プレイヤーが2ブロックの高さのスペースで天井と床の間をバウンドしないためにある ■Labels for items will be changed. ■アイテムのラベルが変更される New Features (新しい要素/機能) ■"Nether update / Second Part of the Adventure Update" ■ネザーのアップデート／アドベンチャーアップデートの第2部 ■This update will include new features in the Nether, such as ■このアップデートでは次のようなネザーの新しい機能が含まれる： ■Netherrack Bricks. ■ネザーラックレンガ ■Netherrack Fence. ■ネザーラックフェンス ■Netherrack Stairs. ■ネザーラック階段 ■Nether Ruins. ■ネザー遺跡 ■New Items ■新しいアイテム： ■Ghast Tear. ■ガストの涙 ■Blaze Rod. ■ブレイズの棒 ■Nether Wart. ■ネザーいぼ (ネザーに生えるキノコのような、いぼ) ■Gold Nugget. ■金塊 ■Glass Bottle ■ガラス瓶 ■Spider Eye ■蜘蛛の目 ■Fermented Spider Eye ■発酵した蜘蛛の目 ■Blaze Powder ■ブレイズパウダー ■Magma Cream ■マグマクリーム ■Eye of Ender ■エンダーの目 ■Crystal Block (Name not confirmed) ■クリスタルブロック (名前は未確証) ■9 new Music Discs. ■9枚の新しいレコード ■Finished Biome code and New Biomes. ■仕上がったバイオームコードと新しいバイオーム ■Snowy Biomes ■雪のバイオーム ■Swamp Biomes will be adjusted to appear "swampier." ■湿地帯のバイオームが「より湿地帯」に見えるように調整される ■Darker Grass. ■暗い草 ■Darker Water. ■暗い水 ■Lily Pads. ■スイレンの葉 ■Mushroom Biomes ■キノコのバイオーム ■Naturally generated Huge Mushrooms. ■自然に巨大なキノコが生成される ■New Mushroom Cow, the Mooshroom. ■新しいキノコ牛、ムーシュルーム(Mooshroom) ■Mycelium blocks. ■菌糸ブロック ■New sound effects, including ■新しい効果音が含まれる ■Minecart sounds. ■トロッコの音 ■Shears sounds. ■大ばさみの音 ■Additional Bow sounds. ■さらなる弓の音 ■Big Slimes sounds. ■大きいスライムの音 ■The true sounds of Endermen and Silverfish. ■エンダーマンとシルバーフィッシュの本当の音 ■Changes in already existing sounds ■既存の音の変更 ■A change in the sound of Rain. ■雨の音の変更 ■New sounds for Doors. ■ドアの新しい音 ■New sounds for the Skeletons walk to make them sound more skeleton-y. ■スケルトンの足音を、もっとスケルトンっぽい音に。 ■If water or lava is above a single brick thick ceiling, particles of water or lava will drip through, provided you are within 13 blocks of the ceiling. ■1ブロックの天井の上に水か溶岩がある場合、その天井部分から13ブロック以内にいると、水や溶岩のパーティクル(水滴のエフェクト)が天井を通過してポタポタと落ちる ■6 New Mobs ■6体の新しいMob ■New Mob that is stronger than other Mobs (Possibly a Boss Mob) ■他のMobよりも強力な新しいMob (おそらくボスMob) ■Mooshroom Cows. ■キノコ牛 ■NPCs in Villages, as Villager Mobs. ■村のNPCとして村民Mobの追加 ■Some already-existing Mobs will have different behaviors. ■いくつかの既存のMobが(今と)異なる行動を取るようになる ■Snow Golem mob. ■スノーゴーレム ■Can be crafted. ■作成することができる ■Melts in hot biomes. ■暖かいバイオームで溶ける ■Spreads snow around when it walks. ■歩いた周囲に雪を広げる ■Passive, but throws snowballs at enemies. ■受動的だが敵対者に雪玉を投げる ■At least two new mobs for the Nether. ■少なくとも2体のネザーの新しいMob ■Magma Cube. ■マグマキューブ ■Blaze. ■ブレイズ ■Use for experience (skills) will be added. ■経験値の使い道(スキル)の追加 ■Each Experience Orb is worth one Score Point. ■1つ1つのExperience Orbに1スコアポイントの値がある ■Animal breeding ■動物の飼育 ■Wheat Bundles feed animals and make them come towards you. ■小麦の束を動物に餌として与えると、プレイヤーに向かって来る ■Feeding animals makes them enter "love mode". ■動物に餌付けをすると、「ラブモード」に突入する ■Hearts will come out of animals while in love mode. ■ラブモード中は動物にハート(のグラフィック)が表示される ■Breeding will produce Baby Animals [37]. Smaller versions of the parents with large heads that have a faster animation and a higher pitched sound. ■飼育すると動物の赤ちゃんが産まれる。親の小型バージョンで、大きな頭を持ち、より素早い動きと甲高い声を有している ■Increased number of Strongholds per map (from three to unlimited). ■1マップ当たりの砦の数の増加(3から無制限) ■New/Improved Armor system ■新しく改良されたアーマーシステム ■Increased armor durability. ■耐久力が増加した ■Game mechanics changes. ■ゲームの仕様を変更 ■Blocking now moves the player s arm, rather than the sword just floating right in front of the player. ■今までのブロッキングは剣が宙に浮いていたが、プレイヤーの腕も動くようになる ■The model of bow in thirdperson is now larger and 3d. ■三人称視点での弓のモデルが、大きく、立体的になる ■Hardcore mode - Can set the game to delete your world if you die. The health bar changes appearance to indicate you are playing in Hardcore mode. ■ハードコアモード - プレイヤーが死亡した際、ワールドが削除されるように設定できる。ヒットポイントバーがハードコアモードでプレイしていることを示すために、見た目が変わる ■Item Repair ■アイテム修復
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◇INFO インフォ ◆INFOウィンドウ この土地と木の情報を表しています。 訪問者数にオーナーは含まれません。 ①この土地の所有者名 ・アカウント名になります。 ②この土地の住所番地 ・住所は「地名 横座標-縦座標」の表記です。 ③この土地のインターポット内での所有時間 ④この土地の訪問者数 ⑤この木の所有者名 ⑥この木の品種名 ⑦この木のインターポット内での育成時間 ・種を新しく植え直すこともできます。 ⑧この木の総収穫量
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How to Simplify the Motion of the Torso - The Bean どうやってトルソの動きを単純化するか - ビーン https //www.youtube.com/watch?v=0660Fuih7qo http //www.proko.com/the-bean/ There are 3 major masses connected by the spine. 人体は、脊椎でつながれている三つの大きな部分で構成されています。 Head, rib cage and pelvis. 頭部、胸郭、骨盤です。 In this episode we ll take a look at the two that make up the torso. このビデオでは、 トルソを構成する二つの部分についてみていきます。 What is the bean? ビーンとは何か？ Hey guys, you re watching Proko. こんにちは皆さん。 Prokoチャンネルです。 So, what is the bean? さて、 ビーンとは何でしょう？ The torso could initially be thought of as a bean. トルソは、初級の段階では、bean(豆)として考えることができます。 no not that bean.. そのbeanじゃありませんよ。 mmm, not that one either. これでもないです。 That’s the same bean! これも俳優の方のbeanです！ This one... こっちです。 This is the bean I’m talking about. これが私が言っているところのbeanです。 We have two forms, one for the rib cage and another for the hips. 二つの形があります。 一方は胸郭で、もう一方は臀部です。 You can even just imagine a sock with two balls in it.. 二個のボールが入った靴下を想像しても構いません。 Whatever analogy you want to use. 別にあなたが比喩に使いたいものなら何でもいいのです。 Basically we have two hard forms with a softer "skin" around them. 基本的に、二つの硬い部分と、 それを包むやわらかい「皮膚」を考えます。 The balls can twist, tilt side to side, and lean forward or backward. ボール同士は、ねじられ、 左右に傾き、前後に倒れます。 The cloth of the sock will stretch, pinch, or twist accordingly, which represents the way the skin would react to the same motion on a human body. 靴下の布は延ばされ、 圧迫され、ねじられますが、 そのことは、実際の皮膚が、人体に於ける動作に反応する様子を 象徴しています。 To be more specific about what these ovals actually represent, here s how I think of it. 二つの卵型が実際に何を表しているのか明確にするために、 私が何を考えているのかここにお見せしましょう。 The rib cage isn t a perfect oval. 胸郭は完全には卵型ではありません。 The curve stops at around the 10th rib and then swings back up to the sternum. カーブは第10肋骨で止まり、 胸骨に向かって戻っています。 But, to simplify it, I ll continue the curves of the sides and use an oval. しかし、 それを単純化すれば、 側面のカーブを続けて卵型としてみなすことができます。 The oval of the hips actually includes the area above the hips. 臀部を表す卵型は、 実際には、 臀部の上の範囲も含んでいます。 It continues up the oblique and meets the top oval at the thin part of the waist. それは、斜筋の上まで続き、 腰が細くなった部分で上の卵型とぶつかります。 As a result, the two ovals will overlap. 結果として、二つの卵型は重なっています。 Why practice the bean? なぜビーンを練習するのか？ The concept I’ll be talking about today is a very simplified approach. 今回私がお話しする概念は、 とても単純化された方法です。 It obviously doesn t get you a realistic figure drawing, but it s the concepts behind it that we re learning. これは、明らかに、 あなたに写実的な人物画の描き方を与える方法ではありません。 しかし、我々が今学んでいるのは、そのような 真に迫った人物画の背後に潜んでいるものです。 Then once we understand these concepts we can apply them to a realistic more complex approach. ひとたびこれらの概念を理解すれば、 我々は、その概念を、より真実味のある複雑な方法に適用できるのです。 Sometimes what I have my students do in my figure drawing class is a 20 minute session of 30 second poses just doing the beans. 時々、 私が受け持っている人物画のクラスにおいてさせていることは、 30秒間でビーンを使ったドローイングを20分行うことです。 I tell them, they re not drawing a person. 私は彼らに、 人物を描くなと言います。 Don t think of this as a figure drawing. 人物画を描いていると思うなということです。 Instead it s an analogy for the body. 代わりに描いているビーンは、 人体の比喩です。 These are little notes that you could use later on in longer figure drawings. これらは、 あなたが、後でより長時間人物画に取り組むときに使える 覚書なのです。 It s the form of the torso represented in the simplest way. これは、最も単純な方法で表現されたトルソの形なのです。 The reason we do this is to eliminate all details and not get distracted by contours or smaller forms. 我々がこれを行う理由は、 すべての細部を取り除き、 輪郭や小さな形に邪魔されないためです。 We do it to isolate what s important in capturing the motion and mass of the torso. 我々は、 動きをとらえるために重要な何かと トルソの量感を抽出するためにこれを行うのです。 How to practice the bean ビーンの練習の仕方 Take poses and draw the equivalent bean at its extreme. ポーズを用意し、 二つの同様でポーズを極端にしたビーンを描きます。 Take note of that last part. 最終段階でいくつかの要素を加えます。 You’re drawing an extreme version of the pose. あなたは、ポーズの極端なバージョンを描いているのです。 So if there is a subtle twist, make that twist even "twistier". ですので、そこにわずかなひねりがあるなら、 そのひねりを、よりひねったものにしてください。 A lean to the right? Lean it further. 右に傾いている？ より遠くへ傾けてください。 The process of exaggerating these elements creates a habit of actually observing each element. これらの要素を誇張する過程は、 個々の要素を実際に観察する習慣を作ります。 The things we look for to identify in the bean are ビーンに於いて識別するために、 我々が探すものは、 1.Tilt side to side 左右の傾き、 2.Lean forward and backward 前後の傾き 3.Twisting of the spine 背骨のひねり 4.Foreshortening 短縮遠近法 です。 Tilt 左右の傾き Let’s start with a tilt from side to side. 左右の傾きから始めましょう。 When there is a tilt, or a curvature of the spine towards one side, there will always be a compressed side and a stretched side. 左右に傾いているとき、 または、一方向へ向かっている脊椎のカーブがあるとき、 常に、圧縮されている側と延ばされている側が存在します。 As these points move closer to each other, everything between them bunches up. これらの点が互いに近くまで移動したとき、 点の間のすべては圧縮されます。 You ll see wrinkles going across the torso. トルソを横切る皺が見えると思います。 On the other side, these points move away from each other stretching everything between them. もう一方の側では、 これらの点は互いに離れていき、 点の間に存在するものは引き延ばされます。 I ll always try to emphasize the stretching here and play down any kind of muscular bumps that would take away from the stretching effect. 私は、ここで延ばされているものを強調するようにしています。 また、引っ張り効果を減ずるあらゆる筋肉の出っ張りは 軽視するようにしています。 !--ここから有料-- !--ここまで-- Here s a pose with a subtle tilt. ここに、わずかに傾いたポーズがあります。 Find the angle of the ribcage. 胸郭の角度を探りましょう。 Angle of the hips, considering also the position relative to the rib cage. 臀部の角度です。 胸郭との相対的な位置を同様に考えます。 It s a common mistake to always put the two forms one on top of the other. 一方をもう一方の真上に配置するのは よくある間違いです。 Observe the angle from the top of the rib cage to the bottom of the hips. 胸郭の頂上から、臀部の底までの角度を観察しましょう。 Adding an action line will also help to identify this relationship. 動作の線を加えることは、 同様に関係性を識別することの助けになります。 A centerline will emphasize the c curve of this pose and show that it is slightly facing towards the left, since the center is closer to the left edge of the form. 中心線は、 このポーズのCカーブを強調し、 また、 中心線が、形状の縁の左側に近いので、 幾分このポーズが左のほうに面していることを表しています。 !--ここから有料-- !--ここまで-- Lean forward and backward 前後への傾き The second action is leaning forward or backward. 二番目の動作は、前後への傾きです。 It s pretty much the same effect of a tilt. これは、左右への傾きとほぼ同じです。 The side where the points are compressing will get the pinch and the opposite side will get a stretch. 点同士が圧縮されている側は圧迫され、 反対側は延ばされます。 The only difference is that now the centerline is on the stretching or pinching side. 違いというのは、 この場合、 中心線は伸びているか圧迫されている側にあるということです。 If the person leans towards us, there will be a crease on the front plane. もし、人物が我々に向かって傾けば、 皺が前面に存在することになります。 And the centerline itself also has a pinch. 中心線自身も圧迫されます。 This sharp corner creates the tension in the front plane. この鋭い角は、前面に緊張感を作り出します。 On the back, show the stretching gesture line. 背中側では、 延ばされたジェスチャーの線が見られます。 When the person leans back away from us, it s a bit trickier to indicate with a bean. 人物が、我々から遠ざかる形で傾いた場合、 ビーンを使ってそれを表現するのはいささか 難しいものとなります。 This looks too similar to a tilt. 左右への傾きと大変似ているからです。 It s hard to show this because the pinch is back there. 圧迫は背後のここにありますので、 表すのは難しいのです。 It s hidden from us. それは我々には隠されています。 The only way to show that the forms are going away from us is with some cross contour lines, which indicate foreshortening similar to these cylinders. 形が我々から遠ざかっているということを表す 唯一の方法は、 いくつかの等高線を使うことです。 等高線は短縮遠近法を指し示し、 (ビデオに映っている)これらの円筒形に類似しています。 !--ここから有料-- !--ここまで-- Twisting the spine 脊椎をひねる Alright! The twist! I love doing the twist. ツイストです。 私はツイストが好きです。 During a twisting motion, the skin will be pulled from one side of the form to the other. ひねる動作の最中、 皮膚は、形の一方からもう一方へ引っ張られます。 Let’s look at what happens to this towel when I twist it. 私がこのタオルをひねったとき何が起きるか見てください。 The string represents the centerline. 黒い線は中心線を表します。 At the top the plane twists this way and at the bottom the other way. てっぺんの面では平面はこっちへひねられ、 底の面では反対へひねられます。 On this side the lines will overlap from the top, on the other side they overlap from the bottom. こちら側では、線は上の方から覆いかぶさり、 反対側では、そこの方から覆いかぶさります。 Things are being pulled across the form to these corners. 形全体は、この点へ向かう形でこの形を横断して、 引っ張られています。 Sometimes it’s confusing to figure out which side will overlap, which one is in front and which is behind. 時々、どっちが前でどっちが背後なのか、 どちらの側が覆いかぶさるのかを描くのに混乱します。 Basically, the two corners that are closer to us will have the lines that overlap the corners further from us. 基本的に、 我々に近い二つの角を結ぶ線が、 我々から遠い角を結ぶ線に覆いかぶさる線を持つことになります。 Makes sense because objects that are closer to us are in front of objects further from us. これは当然です。 なぜなら、我々に近いほうの物体は、 我々から遠いほうの物体の前にあるからです。 It’s basic perspective. これは透視図法の基本です。 The centerline is now an S shape rather than a C during a tilt or lean. 中心線は、左右に傾いていた時のCカーブというよりは、 今はS型になっています。 So let’s take a look at two angles of the twist with the bean. では、 ビーンを使ったひねりを 二つの角度で見てみましょう。 In this pose we re looking at a twisting torso from the side. このポーズでは、横の方から ひねっているトルソを見ています。 This means we see the centerline of the front plane at the top and the centerline of the back at the bottom. このことは、 上部前面で中心線が見え 下部背面で中心線が見えるということです。 There s a transition from one to the other. 一方から一方への推移が存在します。 As the front plane gets thinner and the center line starts to wrap behind, on the other side the spine starts to come out from behind and twisting towards us. 前面は見かけ上薄くなり、中心線が画面奥へ消えていこうとしている一方、 脊椎は画面奥から現れ、 我々に向かってひねられています。 So only a portion of the centerline is visible on each side. ですので、 どちらの側でも中心線は一部しか見えていません。 When looking at a twist from the front or back you only see one of the planes, but it’s being twisted. ひねりを前か後ろから見る場合、 あなたはいくつかの平面のうちの一つだけを見ているのですが、 それはひねられているのです。 In this pose, the pit of the neck is closer to the left side of her body and the pubic bone is turning toward the right side. このポーズでは、 首の根元のくぼみは、人体の左側に近くなり、 恥骨は右側に回転しています。 !--ここから有料-- !--ここまで-- Foreshortening 短縮遠近法 When a figure is extremely foreshortened you ll observe two changes. 人物が極端に短縮遠近されているとき、 あなたは二つのことを観察することでしょう。 The first is a change of the oval shapes that indicate the rib cage and hips. 最初は、 胸郭と臀部を表す卵型の変化です。 We re no longer seeing the full length, so the ovals will be shorter. 我々には卵型の本来の長さは見えませんので、 卵型は短く見えています。 The second change is the position relationship between these ovals. 二つ目の変化は、 卵型同士の位置関係です。 One will overlap the other and sometimes cover up most of it. 一方がもう一方に重なり、 時々そのほとんどを覆い隠します。 This shows that the ribcage is directly in front of the hips so the torso is pointing directly toward us. このモデルでは、胸郭はほとんど臀部の前にあり、 よってトルソの頂点は、ほとんどまっすぐ我々の方を向いています。 In this pose, she s leaning toward us, creating a lot of foreshortening. このポーズでは、 彼女は我々に向かって傾いているので、 大きな短縮遠近を作り出しています。 I ll make sure to keep the oval more circular and overlap them a bit more than usual. 卵型をより球形に近くし、 それらを通常より重ね合わせます。 I like to put a dot on the north and south poles of these forms. 私はこれらの形の南極と北極に 点を打つのが好きです。 This helps me imagine how to wrap the centerline over the top plane. このことが、 どのように中心線がてっぺんの面にかぶさっているのか 想像するのを助けます。 I also see a twist since the belly button is pointing to the left. 同時に、へそが左の方を向いているので、 ひねりにも注目します。 What s next? ビーンの次は何をするのか？ After establishing the bean, attaching the head and limbs is much easier. ビーンを構築した後は、 頭や手足を付けるのはより簡単になります。 The action of the torso is the most difficult and most important to capture the body in motion. トルソの動作は、 人体の動きをとらえるためには 一番難しく、 一番重要です。 I ll talk a lot more about this part in the mannequinization video in a few weeks. 私はこの項目について、 数週間後、 マネキン化のビデオで もっとたくさん話そうと思います。 !--ここから有料-- !--ここまで-- Assignments 課題 This week, practice drawing the bean from the pose photos at proko.com/poses. 今週は、 proko.com/posesのポーズ写真から、 ビーンを描く練習をしましょう。 It shouldn t take you more than 30 seconds to a minute for each pose. 各々のポーズには30秒から1分以上かかってはいけません。 Look for tilting, leaning, twisting, and foreshortening. 左右への傾き、 前後への傾き、 ひねり、 短縮遠近を探しましょう。 Exaggerate the motion and draw the two volumes, the skin in between, and the centerline. 動きを誇張し、 二つの量感、間の皮膚、中心線を描きましょう。
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